| 金丹元,刘飞.关于各种“后”现象与当下具有“幻”色彩的电影发展之关系的思考[J].井冈山大学社科版,2025,46(5):48-54 |
| 关于各种“后”现象与当下具有“幻”色彩的电影发展之关系的思考 |
| Reflections on Relationship between Post-phenomena and Development of Contemporary Fantastical Films |
| 投稿时间：2025-05-15 |
| DOI：10.3969/j.issn.1674-8107.2025.05.006 |
| 中文关键词: 后现象 科幻电影 虚拟技术 现实主义 影像表达 |
| 英文关键词: post-phenomena science fiction films virtual technology realism visual expression |
| 基金项目:国家社科基金后期资助项目“数字时代电影艺术的美学转向研究”(项目编号:22FYSB038) |
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| 中文摘要: |
| 二十世纪六七十年代以来，各种“后学”如雨后春笋般出现。电影发展至今，商业化的影视审美有如其他流行艺术审美，无法回避“后”因素带来的深刻影响。在“后”语境中，伴随高科技的发展，电影拥有了更为广阔的影像表达空间，无论是在主题表现，还是技术层面，都更容易与“虚拟”画面实现连接，进而促使虚拟与现实的界限变得模糊，这必然会引发对当下带有“幻”色彩电影的重审和挑战。电影创作的未来发展需要扎根于人们的现实生活，坚守现实主义中的人道主义精神和理性反思，同时更需要统筹技术影像、经济资本和观众审美需求，不断突破叙事瓶颈与类型边界。唯有如此，“幻”色彩的电影才能与现实主义共存，持续探索人类命运的未来走向。 |
| 英文摘要: |
| Since the 1960s and 1970s, various post-theories have emerged like mushrooms. To this day, the commercialization of cinematic aesthetics, like other forms of popular art aesthetics, cannot avoid the profound influence of post-factors. In the post-context, alongside the advancement of high technology, film art has gained a broader expressive space for imagery. Whether in thematic representation or technical execution, it has become easier to connect real image with virtual one, thereby blurring the boundary between the virtual and the real. This inevitably prompts a re-examination and challenge of contemporary films with a fantastical quality. The future of film creation must be rooted in the realities of people’s lives,upholding the humanitarian spirit and rational reflection in realism. At the same time, it must balance technological imagery, economic capital, and audience aesthetic demands, continuously breaking through narrative bottlenecks and genre boundaries. Only through this approach can fantastical-themed cinema coexist with realism while persistently probing into the future course of human existence. |
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