| 丁凡,张婧妮,郑沛欣.“流动性凝视”理论视域下的城市感知共同体塑造——以澎湃新闻“上直播”栏目“一江一河”机位为例[J].井冈山大学社科版,2025,46(4):94-102 |
| “流动性凝视”理论视域下的城市感知共同体塑造——以澎湃新闻“上直播”栏目“一江一河”机位为例 |
| Research on Shaping of Urban Sensory Community under the Theory of Liquidity Gaze: A Case Study of “One River and One Creek” Camera Position in The Paper’s Live Broadcast Column |
| 投稿时间：2025-03-12 |
| DOI：10.3969/j.issn.1674-8107.2025.04.012 |
| 中文关键词: 澎湃新闻慢直播 流动性凝视 一江一河 场景理论 感知共同体 |
| 英文关键词: the Paper’s slow live broadcast fluid gaze One River and One Creek scene theory perceptual community |
| 基金项目:同济大学人文社科原创探索项目“基于‘全球-本地’‘实体-虚拟’双重评价体系的城市更新中文化传播方法和路径研究——以上海为例”(中央高校基本业务经费资助,项目编号:22120240588) |
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| 全文下载次数: 29 |
| 中文摘要: |
| 黄浦江与苏州河交汇处的空间转型，既是上海城市更新的地标实践，也是数字媒介重构公共性的鲜活样本。澎湃新闻“上直播”栏目以“一江一河”交汇处作为11个固定机位之一，通过24小时慢直播呈现江河互融的动态景观。这种去脚本化、持续流动的影像实践，以“流动性凝视”突破传统媒介的奇观叙事，将城市空间从“被观看的客体”转化为“共同书写的文本”。当澎湃新闻以慢直播镜头对准流淌的河面，24小时不落幕的“一江一河”悄然织就一张虚实交织的网。这种没有剧本的直播，用持续流动的日常画面，取代了传统媒介对城市的精修与切割，使得互动真正回归人的真实感知与行为之中。 |
| 英文摘要: |
| The spatial transformation at the confluence of the Huangpu River and Suzhou Creek is not only a landmark practice of Shanghai’s urban regeneration but also a vivid example of digital media’s reconstruction of publicity. The Paper’s Live Broadcast column takes the confluence of “One River and One Creek” as one of the 11 fixed camera positions, presenting the dynamic landscape of the integration of the Huangpu River and Suzhou Creek through 24-hour slow live broadcast. This de-scripted, continuous flowing image practice breaks through the spectacle narrative of traditional media with “liquidity gaze”, transforming urban space from “object to be viewed” to “text to be written together”. When The Paper aims the slow live broadcast lens at the flowing river surface, the 24-hour “One River and One Creek” quietly weaves a virtual and real interweaving network. This unscripted live broadcast replaces the traditional media’s refinement and cutting of the city with a continuous flow of daily images, allowing the interaction truly return to people’s real perception and actions. |
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