| 徐国莉,庄初升.广东汉剧传统戏音韵的“上口字”[J].井冈山大学社科版,2025,(1):97-105 |
| 广东汉剧传统戏音韵的“上口字” |
| Conventionally-pronounced Characters in Guangdong Han Opera |
| 投稿时间：2023-11-20 |
| DOI：10.3969/j.issn.1674-8107.2025.01.011 |
| 中文关键词: 戏曲|音韵|广东汉剧|上口字 |
| 英文关键词: Chinese opera|phonology|Guangdong Han Opera|conventionally-pronounced characters or Shang Kou Zi |
| 基金项目:广东省普通高校科研平台重点领域项目“和谐语言生态观视域下的推普助力乡村振兴实施策略研究”（项目编号：2024ZDZX4114）；广东省普通高校科研平台特色创新项目“语言学视域下广东汉剧非物质文化遗产数字化保护传承研究”（项目编号：2021WTSCX318） |
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| 中文摘要: |
| 语言是声乐的基础，戏曲表演“字正腔圆”的美学原则须立足戏曲音韵的特点，要求演员掌握每一个字的语音结构，才能使唱词音韵与音乐旋律相融合，做到唱念准确、晓畅、动听。以现代汉语普通话作为对照，各地方戏曲都存在一定数量的“上口字”。比较广东汉剧传统戏音韵和普通话的声韵调系统，总结广东汉剧传统戏“上口字”的音韵特征及发音要领，确认“上口字”具有尖团有别、有v[v]声母和nɡ[?]声母、有ü[?]类韵母、入声舒化归阳平等重要音韵特征及发音要领。将广东汉剧音韵中与普通话发音有别的字汇总形成“常用上口字汇” ，便于创作及演艺人员掌握戏曲音韵规律，有助于加强戏曲音韵规范、增强舞台语言艺术魅力，对于广东汉剧教学及传承发展都具有重要意义。 |
| 英文摘要: |
| Language is the foundation of vocal music. The aesthetic principle of “Clear Articulation and Mellow Tune” in opera performances requires actors mastering the phonetic structure of each character to make harmonious combination between lines and the music rhyme, achieving the effect of accurate, fluent, and melodious singing and reciting. Taking Mandarin as a reference, each local opera has its own conventionally-pronounced characters or Shang Kou Zi in Pinyin. Comparing the phonological system of traditional dramas of Guangdong Han Operas, we summarize the pronunciation characteristics and key features of Shang Kou Zi, and form the Shang Kou Zi list. It can facilitate the creator and performers to master the phonological rules. It is also of great significance to the teaching and heritage of Guangdong Han Opera. |
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