| 邓声国.试论黄榦的《丧服》诠释[J].井冈山大学社科版,2022,43(5):111-117 |
| 试论黄榦的《丧服》诠释 |
| The Discussion on Huang Gan’s Interpretation of the Mourning Apparels |
| 投稿时间：2022-03-05 |
| DOI：10.3969/j.issn.1674-8107.2022.05.014 |
| 中文关键词: 黄榦|《仪礼经传通解续》|《丧服》诠释|诠释体例|诠释特色 |
| 英文关键词: Huang Gan|The Sequel to the Comprehensive Interpretation of "Rites"|Interpretation of The Mourning Apparels|Style of interpretation|Features of interpretation |
| 基金项目:国家社科基金项目“历代《丧服》诠释研究”(项目编号:18XZX011) |
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| 中文摘要: |
| 作为两宋礼经学创发新义阶段的一部代表性著作,黄榦所著《仪礼经传通解续》虽然不以文字考证为主,但却重新整合了《仪礼·丧服》篇的经《传》《记》礼经话语体系,力求打通“五服”条文之间的服制关联性。作为一部纂集体著作,该书采用纂集重构——以结构为基础的诠释策略,通过新的礼制类目的确立,构筑了《丧服》篇礼文诠释的几大主体内容,即《补服》《丧服变除》《丧服制度》《丧服义》等诠释模块。受南宋时期礼文传播渠道等因素的影响,黄榦编纂《补服》《丧服变除》等部分礼文,依赖的文献主体仍然是以《礼记》一书为主,同时也兼及少数其他经学著作。从小注部分的注释编排情况来看,黄榦的丧服礼文诠释更多呈现出一定的继承性,保留纂辑了大量汉唐注疏及陆德明《音义》的诠释材料,创新性较少。 |
| 英文摘要: |
| As a masterpiece of ritual study in Song Dynasty, The Sequel to the Comprehensive Interpretation of "Rites" by Huang Gan, though its major purpose is not textual research, reconstructed the discourse system of the classics, biographies and records of rites in the Mourning Apparels. This book tried to get through the institutional relevance between the provisions of the "five systems of clothing". Based on the achievements of many former scholars, the book rearranged the contents of the Mourning Apparels, that is, constructing several main contents of mourning apparels with the new ritual classification, such as "the supplemental apparels", "the removal of mourning apparels", "the institution of mourning apparels","significance of mourning apparels", etc. Under the influence of factors such as the communication channels of ritual science in the Southern Song Dynasty, when he compiled some documents related to ritual science, such as " the supplemental apparels" and " the removal of mourning apparels", Huang Gan took Rites as the primary reference and other Confucian Classics as second.Besides, a large number of annotations in the books edited by scholars from the Han Dynasty to Tang Dynasty and explanatory notes in Phonetic Notation by Lu Deming appear in the Sequel. This shows that Huang Gan's interpretation of the Mourning Apparels has a certain inheritance. |
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