| 逄婷.论黑格尔美学体系中的“情境”[J].井冈山大学社科版,2021,(5):123-127 |
| 论黑格尔美学体系中的“情境” |
| On “Situation” in Hegel's Aesthetic System |
| 投稿时间：2021-09-26 |
| DOI：10.3969/j.issn.1674-8107.2021.05.016 |
| 中文关键词: 黑格尔 美学 情境 冲突 |
| 英文关键词: Hegel Aesthetics Situation Conflict |
| 基金项目: |
|
| 摘要点击次数: 855 |
| 全文下载次数: 1122 |
| 中文摘要: |
| 西方美学史上关于情境的探讨由来已久，黑格尔在继承亚里士多德、狄德罗等美学家观点的基础上，将情境理论纳入到自己的美学体系中，使之上升到新高度。黑格尔的情境理论实际是内在联系与矛盾发展的辩证法观点在美学中的具体运用，辩证法的运用使这一理论克服了唯心主义的弊端，从而表现出唯物主义、现实主义的精神，对后世的戏剧理论研究大有裨益。 |
| 英文摘要: |
| The "situation" has been discussed for a long time in the history of Western aesthetics. Based onideas of Aristotle, Diderot and other aestheticians, Hegel incorporated the situation theory into his own aesthetic system and made a new achievement. Hegel's situation theory is actually the specific application of dialectic view of internal connection and contradiction development in aesthetics. The application of dialectic makes this theory break away from the drawbacks of idealism, thus showing the spirit of materialism and realism, which is of great benefit to the drama theory research in the later generations. |
|
查看全文
查看/发表评论 下载PDF阅读器 |
| 关闭 |
