| 许丽.论苏区戏剧中“形象政治”的形成及其独特性[J].井冈山大学社科版,2021,(4):111-116 |
| 论苏区戏剧中“形象政治”的形成及其独特性 |
| On the Formation and Uniqueness of Image Politics in the Theater during the Period of Central Soviet Areas |
| 投稿时间：2021-01-22 |
| DOI：10.3969/j.issn.1674-8107.2021.04.015 |
| 中文关键词: 苏区 戏剧 形象政治 形成 独特性 |
| 英文关键词: Theater during the period of Central Soviet Areas Image politics Formation Uniqueness |
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| 中文摘要: |
| 苏区戏剧产生于20世纪20年代末至30年代初那个特殊战争年代。它一方面服务于苏区的政权建设、武装斗争及土地革命等政治任务；另一方面，它关注艺术形象的塑造与刻画，从而形成了“形象政治”。苏区戏剧中的“形象政治”是承继从民智启蒙到新文化启蒙再到革命启蒙的启蒙思潮产生，且以新中国的构想与实践为现实动力，并在形象对照中突显革命意志，以此获得艺术实现的可能。因此，“形象政治”的形成，是苏区戏剧既不同于苏联文艺又不同于西方文艺的独特所在，也因此，它产生了巨大的情感效应。 |
| 英文摘要: |
| The theater during the Central Soviet Areas was composed in a special war situation from the late 1920s to the early 1930s. On the one hand, it served the political tasks, such as building of political authority, armed struggle, agrarian revolution in the Soviet Area, and so on; on the other hand, it concerned characterization of artistic images. As a result, image politics was formed. The image politics in the theater during the Central Soviet Areas drew inspiration from the enlightenment of people's wisdom, enlightenment of the New Culture and the revolutionary enlightenment, gained momentum from imagination of a new china and its practice, and highlighted the revolutionary will by contrast between images so as to obtain the artistic life. The image politics makes the theater during the Central Soviet Area distinguish itself from the literature and art of Soviet Union as well as from the western literature and art, and produced a great emotional effect. Therefore, the image politics is an important phenomenon in the theater during the period of Soviet Areas, which is worth further discussion. |
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