陈冬根.宋代“隐括词”的文体生成及传媒因素考察[J].井冈山大学社科版,2021,(4):104-110 |
宋代“隐括词”的文体生成及传媒因素考察 |
A Study of the Stylistic Formation and Media Factors of Yinkuo Ci in the Song Dynasty |
投稿时间:2020-12-15 |
DOI:10.3969/j.issn.1674-8107.2021.04.014 |
中文关键词: 隐括词 文体 苏轼 传媒因素 |
英文关键词: Yinkuo Ci Literary genre Su Shi Media factors |
基金项目:井冈山大学习近平新时代中国特色社会主义思想研究中心专项招标重点课题“习近平新时代继承创新中华优秀传统文化思想、路径与价值研究”(项目编号:JXZD1801)。 |
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中文摘要: |
“隐括”从一种特殊修辞手法逐步泛化为一种写作手法,含义即是对原有文章的改写、剪裁和概括。唐宋以来,隐括手法在词创作中得到广泛而普遍的使用,渐渐成为一种独立的文学体式。自北宋中期苏轼《哨遍》(为米折腰)之后,隐括词便成为宋人常用的一种文学体式。在隐括词形成与发展的过程中,传媒因素起了决定性的作用。 |
英文摘要: |
Yinkuo, as a special kind of figures of speech at first, has been gradually turned into a writing technique. It refers to the way to rewrite, prune, summarize the original writings. Since the Tang and Song Dynasty, the skill of Yinkuo has been widely used in the poems and become a kind of literary style. Since Su Shi's Shaobian ("bowing for survival") in the mid-North Song Dynasty, Yinkuo Ci turned into a literary style that was commonly used in the Song Dynasty. In the process of the formation and development of Yinkuo Ci, media played a decisive role. |
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