| 李洪华,周晶.在场批评、史识关照与学理拓展——20世纪30年代以来的苏区戏剧研究[J].井冈山大学社科版,2019,40(3):100-107 |
| 在场批评、史识关照与学理拓展——20世纪30年代以来的苏区戏剧研究 |
| On-site Criticism， Historical Attention， Academic Expansion：Research on Soviet Drama since 1930s |
| 投稿时间：2019-01-14 |
| DOI：10.3969/j.issn.1674-8107.2019.03.015 |
| 中文关键词: 苏区戏剧 在场批评 史识关照 学理拓展 |
| 英文关键词: Soviet drama on-site criticism historical attention academic expansion |
| 基金项目:江西省高校人文社科重点研究基地招标项目“苏区文艺工作的制度建构与当代价值研究”（项目编号：JD18020）。 |
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| 中文摘要: |
| 苏区戏剧研究是伴随苏区戏剧产生而发生的。自20世纪30年代以来，苏区戏剧研究主要分为四个时期：最初主要是苏区时期有关戏剧活动的理论批评；新中国成立后，苏区戏剧整理和研究工作得到重视；五六十年代苏区戏剧研究主要表现为收集整理与部分文学史著述的概述介绍，"文革"时期，除样板戏外，真正的戏剧创作和戏剧研究几乎出现空白；新时期尤其是新世纪以来，苏区戏剧研究有了全新的学理拓展，无论是文献整理还是系统研究都出现了一批较有影响的成果。 |
| 英文摘要: |
| The study of Soviet drama came into being with the emergence of Soviet drama. Since 1930s, the study of Soviet drama has witnessed four main periods. At the initial period, it mainly focused on the theoretical criticism of drama activities in Soviet area. After the founding of the People's Republic of China, the compiling and collecting of Soviet drama had been conducted. In 1950s and 1960s, the research on drama in the Soviet area concentrated on the collection of Soviet dramas and introduction of its history. During the Cultural Revolution, no genuine drama was created and drama research stopped except the emergence of Model Drama. In the new era, especially in new century, the study of Soviet drama has expanded completely with a large number of influential achievements emerging in both literature collation and systematic research. |
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