| 柯弄璋.敞开与收束：大众艺术接受与政治动员——以革命秧歌为例[J].井冈山大学社科版,2019,(1):77-83 |
| 敞开与收束：大众艺术接受与政治动员——以革命秧歌为例 |
| Openness and Convergence: Mass Art Acceptance and Political Mobilization——The revolutionary Yangge Dance as an Example |
| 投稿时间：2018-10-18 |
| DOI：10.3969/j.issn.1674-8107.2019.01.012 |
| 中文关键词: 革命秧歌 大众接受 情感激发 政治动员 红色资源 |
| 英文关键词: revolutionary Yangge Dance public acceptance emotional inspiration political mobilization red resource |
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| 中文摘要: |
| 革命秧歌具有情感敞开与政治收束的双重特征。情感敞开指它以自身的记忆性、真实性、身体性、交往性轻松地召唤起大众的情感共振；政治收束指它通过以新换旧、人物唱白的艺术技巧对大众荡漾的情感加以聚束与政治性引导。二者交互影响，最终服务于政治动员的根本诉求。这种双重性决定了革命秧歌在当今社会中仍然能够作为一种重要的红色资源，被用来加强和改进青年学生的思想政治教育。 |
| 英文摘要: |
| The revolutionary Yangge Dance is endowed with the dual features of emotional openness and political convergence.The former means that it can easily inspires the emotional resonance of the mass with its own memory,authenticity,physicality,and interactivity.The latter means that it can converge and guide politically the mass emotions through the artistic technique of changing the old with the new and interior monologue,which ultimately serve the fundamental demand of political mobilization.It is proved that the revolutionary Yangge Dance can still serve as an important red resource in today's society to strengthen and improve the ideological and political education of young students. |
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