| 顾江冰.从格非《江南三部曲》看乌托邦精神的传承和衰变[J].井冈山大学社科版,2018,(2):100-106 |
| 从格非《江南三部曲》看乌托邦精神的传承和衰变 |
| Inheritance and Decline of Utopian Spirits: An Examination of Gefei's Jiang Nan San Bu Qu |
| 投稿时间：2017-12-20 |
| DOI：10.3969/j.issn.1674-8107.2018.02.016 |
| 中文关键词: 格非 《江南三部曲》 乌托邦 花家舍 理想主义 |
| 英文关键词: gefei Jiang Nan San Bu Qu Utopian Hua Jia She idealism |
| 基金项目:国家社科基金重大招标项目“世界性与本土性交汇：莫言文学道路与中国文学的变革研究”（项目编号：13&ZD122）；北京市哲学社会科学规划重点项目“莫言与新时期文学创新经验研究”（项目编号：13WYA002）。 |
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| 中文摘要: |
| “花家舍”是格非《江南三部曲》里反复出现的意象和精神寄托，是一处类似“乌托邦”的理想之地。然则怀揣“乌托邦心态”的各类人物却一再遭到现实的无情拒绝，从陆秀米到谭功达再到谭端午，人物的内心世界始终轮回呈现“向外走——向内转”的相同趋势。在不同制度下出现的种种社会悖论也体现了作者对于人生和宿命决断的沉重思考。 |
| 英文摘要: |
| Hua Jia She (The Huas' House",the image and spiritual resort repetitively presented in Gefei's Jiang Nan San Bu Qu (Trilogy of the Southern River Bank), is a somewhat Utopian realm. However, the characters living there with "Utopian" ideals tend to be suppressed by the realities. All of them, from Lu Xiumi, Tan Gongda to Tan Duanwu, show incarnations from "extrovert toward the real world to introvert toward the isolated self". The various social paradox they experience in different social systems show the author's serious meditation on life and destiny. |
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