| 李洪华,黄琦.论夏宇的后现代主义诗歌美学[J].井冈山大学社科版,2017,(6):89-93 |
| 论夏宇的后现代主义诗歌美学 |
| On Xia Yu's Postmodernist Poetic Aesthetics |
| 投稿时间：2017-08-17 |
| DOI：10.3969/j.issn.1674-8107.2017.06.014 |
| 中文关键词: 夏宇 诗歌 后现代主义 |
| 英文关键词: Xia Yu poetry postmodernism |
| 基金项目: |
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| 摘要点击次数: 1673 |
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| 中文摘要: |
| 夏宇是台湾后现代主义诗歌创作的代表。作为创作的多面手，夏宇一直不断地实现对传统和旧我的超越。这种自我的不断突破，也使得夏宇以不同的创作面孔展现在世人面前，不论是作为恋爱中的嗔痴女性还是作为以身体话语来对抗男权的觉醒女性，或是作为玩着语言拆解拼构游戏的顽童，或是作为传达神秘经验的灵媒，夏宇的每一面都可以看作是其灵魂的折射。在夏宇的叛逆外表之下，潜藏着忠实于自身生命体验、忠实于艺术创新精神的诗人灵魂。 |
| 英文摘要: |
| Xia Yu is a representative of postmodernist poetry writing in Taiwan. As a versatile writer, She incessantly tries to break the tradition and herself, which presents her as writer in different respects. She projects into works her soul through various images, whether as a fascinated woman in love or an awakened woman resisting against male chauvinism with body discourse, a naughty child playing language deconstruction games or a media conveying mysterious experiences. Underneath the image of rebellion, Xia yu cherishes a poetic soul faithful to her life experience and artistic innovation spirits. |
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