| 王学军.华夏礼乐衰微的哀歌：颜之推《观我生赋》题旨发覆[J].井冈山大学社科版,2017,(1):101-107 |
| 华夏礼乐衰微的哀歌：颜之推《观我生赋》题旨发覆 |
| A Lament on the Decline of Huaxia Ritual and Music System:An Exploration about the theme of Yan Zhitui's Guan Wo Sheng Fu |
| 投稿时间：2016-11-25 |
| DOI：10.3969/j.issn.1674-8107.2017.01.016 |
| 中文关键词: 礼乐衰微 颜之推 《观我生赋》 题旨 |
| 英文关键词: Ritual and Music decline Yan Zhitui Guan Wo Sheng Fu theme |
| 基金项目:河南省哲学社会科学规划项目“魏晋南北朝礼制与文学研究”（项目编号：2016CWX030）。 |
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| 中文摘要: |
| 受家学渊源影响，颜之推自幼学习儒家经典，终生服膺以礼乐文化为中心的儒家思想。颜之推在萧梁斥道专儒、用心儒学，在西魏涉险偷渡、执意南归，在北齐建文林馆、反对胡风、主张归陈，在杨隋复雅乐、归正音、立家训。《观我生赋》篇名取自儒家经典《周易》“观”卦，“观我生”已经不限于个体本身，而是融入群体，趋向儒家礼乐教化之道，这也是“观”卦观民设教的本义。《观我生赋》中，颜之推以身合道，将自己的人生遭遇与华夏礼乐文化的衰微紧密结合，以孔子“泣麟”结束，用春秋末期的礼崩乐坏类比当下道消势长带来的信仰之殇，悲恸情绪与赋作开篇遥相呼应，实为华夏礼乐衰微之哀歌。 |
| 英文摘要: |
| By family influence, Yan Zhitui had learned Confucian classics since his childhood and for all his life he adhered to the ritual culture of Confucianism. In Liang Dynasty, he promoted the education of Confucianism. He managed to migrate to the South in spite of the ban issued by Emperor in the Western Wei. In Northern Qi state he established the Wenlin Venue for spreading Han cultures. In Sui Dynasty he advocated the restoration of court music, orthodox sound and set a family motto. His rhythmical prose Guan Wo Sheng Fu ( A Review on His Life) was titled after the diagram "Guan" (Review) in The Book of Changes. "Guan Wo Sheng" (Review on His Life) not only suggests a review of himself as an individual, but of him as one in the Confucian believers, by which he means to watch ordinary people under the teaching of Confucianism. In the work Yan Zhitui took his life experience as a reflection of the decline of Han ritual culture. Thus at end of the Book he cited Confucius' "weeping for unicorn", suggesting the lament for cultural decline of his time which was much like that in late Spring and Autumn period. Such an agony, as resonance of the sorrow depicted at the beginning of his work, is a reflections of grief for the decline of Huaxia ritual culture. |
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