| 顾春花.宗白华与魏晋南北朝美学研究[J].井冈山大学社科版,2015,(6):91-94 |
| 宗白华与魏晋南北朝美学研究 |
| Zong Baihua and the Studies of Aesthetics of Wei, Jin and Northern& Southern Dynasties |
| 投稿时间：2015-07-10 |
| DOI：10.3969/j.issn.1674-8107.2015.06.015 |
| 中文关键词: 宗白华 魏晋南北朝美学 芙蓉出水 |
| 英文关键词: Zong Baihua aesthetics of Wei, Jin and Northern& Southern Dynasties lotus on clear water |
| 基金项目:教育部人文社科项目“戏曲批评术语学术生命史研究”(项目编号:11YJC751123) |
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| 中文摘要: |
| 宗白华在《论<世说新语>和晋人的美》和《中国美学史中重要问题的初步探索》中着重强调了魏晋南北朝美学的重要性。在宗白华的美学体系中, 魏晋南北朝美学思想的最高美学理想是“芙蓉出水”,这种美学理想具体表现为向内——对人自身的关注, 向外——对自然山水的挖掘和对文学艺术的表现。宗白华的研究肯定了“芙蓉出水”的美学理想, 梳理了中国的两大传统美学理想, 确立了魏晋南北朝美学思想在中国美学史上的地位。 |
| 英文摘要: |
| In his monographs On Shi Shuo Xin Yu and the Aesthetics of Jin People and Primary Explorations of Key Question in History of Chinese Aesthetics, Zong Baihua argues for the importance of the aesthetics of Wei, Jin and Northern& Southern Dynasties. In his aesthetic systems, the supreme aesthetic ideal of that time is symbolized in “lotus on clear water”, which integrates inward concerns of human being himself and outward exploration of natural scenery and its expression in literature and arts. Zong Baihua's study affirms the aesthetic ideal of “lotus on clear water”, traces the two Chinese aesthetic traditions and establishes the position of aesthetics of Wei, Jin and Northern& Southern Dynasties in the history of Chinese aesthetics. |
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