| 仝婉澄.辻听花和波多野乾一对中国戏曲的研究[J].井冈山大学社科版,2015,(5):108-112 |
| 辻听花和波多野乾一对中国戏曲的研究 |
| Ayano Tsuji and Giyoo Hatano's Exploration of Chinese Operas |
| 投稿时间：2014-11-20 |
| DOI：10.3969/j.issn.1674-8107.2015.05.017 |
| 中文关键词: 日本 中国戏曲研究 辻听花 波多野乾一 |
| 英文关键词: Japan exploration of Chinese operas Ayano Tsuji Giyoo Hatano |
| 基金项目:国家社科基金青年项目“日本的中国戏曲研究史”(项目编号12CZW094);国家社科基金青年项目“明代的杂剧辑刊与戏曲文学发展研究”(项目编号:13CZW043). |
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| 中文摘要: |
| 二十世纪初期, 北京剧坛繁盛一时, 各类相关着作相继问世。其中《中国剧》和《支那剧及其名优》凭借立足剧场的实地调查, 系统的记录了那个时代的剧坛剪影。而这两部着作的作者, 分别是来自日本的辻听花和波多野乾一。他们的视角及方法, 为中国戏曲研究提供了新的路径, 影响了此后的日本学界。 |
| 英文摘要: |
| In early 20th century, Beijing Opera community witnesses great flourishing and many books on the opera arts were published. Among them, two works named Zhong Guo Ju (Chinese Operas) and Zhi Na Ju Ji Qi Ming You( Chinese Operas and Their Famous Actors/Actresses) systematically record the opera situations of that time based on filed investigations. The books were written by Ayano Tsuji and Giyoo Hatano, two Japanese scholars. Their books influenced Japanese researchers of Chinese operas with new perspective and methods. |
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