| 郑紫苑.论中央苏区戏剧对客家民间文化重构与客家民间文化的自我保存[J].井冈山大学社科版,2015,(4):21-26 |
| 论中央苏区戏剧对客家民间文化重构与客家民间文化的自我保存 |
| Drama Reconstruction of Hakka Folk Culture in Central Soviet Area and the Self-preservation of Hakka Folk Culture |
| 投稿时间：2015-03-10 |
| DOI：10.3969/j.issn.1674-8107.2015.04.004 |
| 中文关键词: 中央苏区戏剧 客家民间文化 重构 自我保存 |
| 英文关键词: drama of Central Soviet Area Hakka folk culture reconstruction self-preservation |
| 基金项目:国家社科基金重大招标项目“客家文化研究”(项目编号:12&ZD132);江西省艺术科学规划项目“文化生态学视野下的赣南客家民间戏剧研究”(项目编号:YG2014014)。 |
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| 中文摘要: |
| 客家民间文化是中央苏区时期的重要民间文化资源,在党的文艺政策的指引下,中央苏区戏剧对其进行了重构。但是由于客家民间文化有着自身的发展逻辑与生存根基,在被改造的过程中也进行了自我保存。这种经过重构和保存两种作用的客家民间文化资源也就有了以下两个层面的意义:第一是作为一种倾注了意识形态的文化符号,它以革命的核心价值为主要宣传内容,广泛地传播了党的革命思想,号召客家民众积极投身革命。第二是作为一种单纯的民间文化形态,它仍然保存着自己的部分本真元素,反映着客家民众的思想观念、审美情趣、道德信仰以及价值标准,体现着当地客家民众的文化心理与精神结构。 |
| 英文摘要: |
| Hakka folk culture is an important cultural source for the Central Soviet Area. Under the guidance of the CPC's art polices, the Central Soviet Area drama writers reconstructed the culture. However, due to its own development laws and existence basis, Hakka folk culture managed to preserve its own basic features during the reconstruction process. The culture undergone reconstruction and preservation show its unique significance in two dimensions: first, as an ideology-fed cultural sign, it took revolution as its core values, spreading the Party's revolutionary thoughts and calling Hakka people to participate in the cause; second, as a pure folk culture form, it kept part of its genuine folk elements which reflected Hakka people's thoughts, aesthetics, moral beliefs and values, and displayed local Hakka people's cultural minds and spiritual constructions. |
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