| 赵兴勤.关于金院本著录的思考[J].井冈山大学社科版,2015,(1):61-65,88 |
| 关于金院本著录的思考 |
| Speculations on the Catalogue of Jin Yuanben Zhuolu |
| 投稿时间：2014-10-25 |
| DOI：10.3969/j.issn.1674-8107.2015.01.011 |
| 中文关键词: 金院本 著录 思考 |
| 英文关键词: Jin Yuanben catalogue speculation |
| 基金项目:国家社科基金后期资助项目“中国早期戏曲生成史论”(项目编号:11FZW004);江苏高校优势学科建设工程资助项目(项目编号:PAPD) |
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| 中文摘要: |
| 陶南村《辍耕录》中所收院本名目,未必皆具备相对完整的情节,也未必皆为由人物扮演故事,当有相当的杂耍、游戏以及近似于古代俳之表演伎艺的语言类节目。“院本名目”中所著录的剧目,多应是金太宗之后的产物,视这一时段为金院本的繁盛期,殆距事实不远。无论是“冲撞引首”,还是“打略拴搐”,都很难称得上独立意义的戏曲。在演出时,很可能是或用于前(类似于宋话本的“入话”或“头回”),或置于后(相当于宋杂剧的“纽元子”),而“诸杂砌”,则或是剧中穿插表演以弥补剧情不足的“小玩意”. |
| 英文摘要: |
| The Jin Yuanben (theater opera scripts of Jin Kingdom) collected in Tao Nancun's Cuogenlu are not entirely full-length operas or human-played stories; they also include many vaudeville, games and language-focus shows which were resemble to ancient farce. The operas recorded in the Catalogue should be productions of period after the Reign of Jin Taizhong, which is safely to be regarded as the blooming time of theater opera scripts in Jin kingdom. However, neither "chongzhuangyinshou" (Collision Guide) nor "dalueshuanchu" (Hit slightly tied convulsions)can be called a self-stand opera. They were probably used in the front of a performance (similar to "ruhua" or "touhui" of Song huaben) or at the end (similar to "niuyuanzi" of Song zaju), or as "zazhuqie", i.e., an little interlude for complementary of performance time. |
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